I think I was lucky, because I spent a small fortune on equipment that didn't do what they promised in advertising. The pure heart, stopping the distortion that the announcement of ART SGX 2000 has promised that he would have emitted, turned out to be purchasing one that should teach me the hard way to get the sound that I wanted.
The situation is no different today, effect processors of guitar constantly disappoint me at first, just to wow me later when I learned the secrets.
I think it's a given that most guitar effect processors are mediocre at best when you listen to the factory default settings.
You must connect a decent guitar in first person, it's just an unavoidable fact, but that is not what I'm talking about. I am going just assume that you have that fixed.
The first key element is the basic characteristics of distortion.A sound can be subtle and quiet, but if the underlying tone in the nature of right, can be made into something great.
To illustrate this point, I had a distortion pedal overdrive no-name brand that was recommended by a friend.
Asked a Multi Ken more effects MME-7.See, I told was a no-name brand. this thing has the character of tonal but sounds terrible right through the amplifier wrong.
That's why many amplifiers are missing the other two main ingredients for a tone of great rock.
So that basically for me, is the first step toward the dream rock guitar sound – a great guitar sound into something that distorts the signal in the right way.
Here the hard thing is that it is difficult to determine if step one correctly until you have steps two and three down.
There are two main frequencies that I look at when trying to get the right tone distorted. These are the bass and midrange frequencies above.
Maybe you have experienced this before, where you get a great sounding amplifier, then take the amplifier itself for a place to friends only to discover that for some strange reason just doesn't sound right anymore.
Chances are that it is a combo rear open, but not necessarily.The only difference is that it is in a different room, and each room has a different frequency response.
If I'm using a guitar amp with a cash back open, I like having the amplifier set up close to a wall for low added. depending on the speaker, but this is not always necessary.
If you have a good amp with large distortion so you don't have to worry too much about frequencies and tweaks, but if your amplifier has one of those horrible fuzzy distortion that doesn't sound like the tube amp is supposed to emulate, then here are the critical areas that need to watch.
Your guitar amplifier has a lifecycle effects?
Case in that you're lucky, cos now all it takes is a small graphic EQ. one of those regular 10 band eq pedals will do the trick, but you can also try a chart 7 band for this.
The graphics of gang of 10 I recommend is the graphic equalizer in MXR M108 band 10-pedal seeing how is the one I used myself and has all the right frequencies.
Bass frequency:Here tend to favor the frequencies around 100 hz. I find 250 hz sometimes makes things a little too boxy sound, but is always the possibility to add just a bit, depending on the sound that is already coming out.
Upper mid-range:The fundamental frequency here is 4 khz. If the sound is too fuzzy, take down all above 5 khz, and I mean right down. Replace any high end is lacking with 4 khz.
If the sound too gets piercing, easing back on 4 k and adding back a bit of frequencies top can help balance things yet.
These are the fundamental principles that work, if you're playing through a guitar amp or record ing direct.
This entry was published on Tuesday, November 18, 2008 at 4: 35 pm and is filed under tone guitar. you can follow any responses to this entry through the RSS 2.0 feed. you can leave a response, or trackback from your site.
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